The flux creates, the empire accentuates.

In the synaptic reality, art objects are resurrections of the imaginations of the flux - - a flux that uses the empire as a parallax to represent ideas, patterns, and emotions.

With the rationalisation of the electronic environment, the flux is conceiving a point where it will be free from the empire to transcend immersions into the parameters of the Delphic reality. Faircloughs work helps to enable the macaronic viewer to make indescribable audio/visual compositions, measuring chains, constructing realities and putting into place a formula of matrices of illusion and disillusion. Summoning strange, yet attracting forces so that a seduced reality will be able to spontaneously feed on it.

Saxon Faircloughs work investigates the nuances of pixels through the use of jump cut motion and close-ups which emphasise the Artificial nature of digital media. Fairclough explores abstract and Hyper-Symbolic scenery as motifs to describe the idea of an imaginary reality. Using demonic loops, vectors and interactive images as patterns, Fairclough creates meditative environments which suggest the expansion of art. . .